solo accordion and audience singing, 18’
written for Nathan Koci
premiered at Sunview Luncheonette (Brooklyn, NY), 2017


Desolation Pops

Desolation Pops
piano and string quartet, 30’
written for Kathleen Supové and The Rhythm Method
premiered at The Cell Theatre, Tribeca New Music Festival (New York, NY), 2018

The Smiling Fish & All the Insects Ceased [from Desolation Pops]
solo piano with string accompaniment (3 parts, open number of players), 8'
premiered at The Stone (New York, NY), 2016



electric guitar quartet, 5’
written for Dither
premiered at The Stone (New York, NY), 2015


Nocturnal Cyclops
for large ensemble, 6'
flute, bass clarinet, trumpet, trombone, drumset, mallets, electric guitar, piano, two violins, viola, cello & double bass
written for Contemporaneous
premiered at Taplin Auditorium (Princeton, NJ), 2019

solo classical guitar, 4'
written for Benjamin Verdery and the Yale guitar department
Premiered by Rene Izquierdo at Weill Recital Hall, Carnegie Hall (New York NY), 2019

French horn, piano and track, 8'
written for Lauren Diaz and Mila Henry
premiered at Milbank Chapel, Columbia Teacher's College (New York, NY), 2019

The Untroubled Mind
song cyle for mixed quartet, 16'
written for Anna Roberts-Gevalt (voice, fiddle), Ellen Fullman (voice, long string instrument), Theresa Wong (voice, cello), James Moore (voice, guitar)
premiered at CoLab (Princeton, NJ), 2018

Three pieces for Triple Harp: Cecilia, Minerva, Cleopatra
solo triple harp, 12'
written for Claire Happel
premiered at Taplin Auditorium (Princeton, NJ), 2018


solo double bass, 7’
written for James Ilgenfritz
premiered at The Stone (New York, NY), 2017

A Hemisphere in Tresses

A Hemisphere in Tresses
violin duo, 10’
written for String Noise
premiered at The Church of the Advent Hope, Carnegie Hill Concert Series (New York, NY), 2015


Three pieces for James & Andie: Suspicions, Look Like, A Wish
resonator guitar and violin, 10'
written for James Moore & Andie Springer
premiered at Joe's Pub (New York, NY), 2014

Yes or No
for quartet (flexible instrumentation), 7'
written for The Hands Free (guitar, violin, accordion, bass)
versions for Dither (electric guitar quartet) and The Rhythm Method (string quartet)
premiered at ShapeShifter Lab (Brooklyn, NY), 2014